LA
Studio

Library

Watch this. Read that.

Every lesson is paired with a film and a text. The list isn't long — it's the right list. Show up to studio having seen the screening.

Screenings — paired with this semester's lessons

  • Directing

    Children of Men

    Dir. Alfonso Cuarón · 2006 · 1h 49m

    "Crew choreography under pressure — the Bexhill long take only works because every department knew its job and its hazard."

    Pairs with · On-set Roles, Communication & Health and Safety

  • Cinematography

    In the Mood for Love

    Dir. Wong Kar-wai · 2000 · 1h 38m

    "Christopher Doyle and Mark Lee Ping-bing on hallway light, contrast and the rhythm of withheld desire."

    Pairs with · Lighting — Key Setups, Mood & Tone

  • Sound

    The Conversation

    Dir. Francis Ford Coppola · 1974 · 1h 53m

    "Walter Murch's sound design — listen first, watch second. The film argues sound is authorship."

    Pairs with · Production Sound Fundamentals

  • Editing

    Raging Bull

    Dir. Martin Scorsese · 1980 · 2h 09m

    "Thelma Schoonmaker on rhythm and percussion — the boxing match as music, cut to breath."

    Pairs with · Editing — Cutting, Transitioning & Assembling

  • Cinematography

    Moonlight

    Dir. Barry Jenkins · 2016 · 1h 51m

    "James Laxton on framing close — how shot size and movement build a character across three chapters."

    Pairs with · Camera Types, Framing & Movement

  • Screenwriting

    Lady Bird

    Dir. Greta Gerwig · 2017 · 1h 34m

    "Page one through five — premise, voice and specificity arrive simultaneously. The pre-production foundation visible on screen."

    Pairs with · Pre-production — Script, Storyboard, Shot List & Risk

Readings — the working bibliography

  • In the Blink of an Eye

    Walter Murch

    The cut as emotional punctuation. Murch's rule of six and why story trumps continuity.

    Silman-James, 2nd ed.

    Book
  • On Directing Film

    David Mamet

    Make every shot a question and an answer. Ruthless economy from a writer-director.

    Penguin, 1992

    Book
  • Sculpting in Time

    Andrei Tarkovsky

    Time pressure inside the frame. A philosophy of cinema as observed duration.

    University of Texas, 1986

    Book
  • What is Neorealism?

    Kogonada

    Side-by-side reading of De Sica and the post-war Italian frame. Watch twice.

    Sight & Sound video essay

    Essay
  • Team Deakins Podcast

    Roger & James Deakins

    Working cinematographers in conversation. Practical, generous, no hype.

    Weekly, all episodes free

    Podcast