Screenwriting · Advanced · Brief
Short Film Structure — Story in Three Minutes
Structuring a short that lands in 3–4 minutes: one clear question, one payoff, and the ruthless cuts that make the summative work.
Assessment 1 — Short Film + Production Portfolio
Independently or in a small team, produce a 3–4 minute short film with a full production portfolio. The reflective report focuses on the role(s) you undertook, the collaborative and creative decisions, and how health and safety was integrated throughout.
Weeks 11–14
- Risk assessment
- Script
- Storyboard
- Shot list
- Final film (3–4 minutes)
- 750-word reflective report
- Adhere to H&S protocols throughout
- Harvard referencing in the reflective report
- File upload by Week 14, Sun 23:59
- LO1 — Structure a 3–4 minute short with a complete arc.
- LO2 — Cut your own script to fit a runtime.
- LO3 — Defend your structure choices in a workshop pitch.
- The short as one idea, not a compressed feature
- Openings that commit — first image, first line
- One protagonist, one want, one obstacle
- Endings that turn, not resolve
- The page-a-minute rule (and when to break it)
- Screenwriting scene craft completed.
- Laptop
- Printed current draft of your Assessment 1 script
- 01
One-line the film
Write your short in a single sentence. If it needs two, the film needs cutting.
- 02
Beat sheet in 6
Six beats: opening image, inciting incident, complication, turn, climax, final image.
- 03
Runtime pass
Read the script aloud with a stopwatch. Cut every second over 4 minutes.
- 04
First-image rewrite
Rewrite your first image to be visual and specific. No dialogue in the first 30 seconds.
- 05
Pitch and defend
Three-minute pitch to the group. Take one question per beat, revise on the fly.
- TodoCurate three award-winning student shorts of 3–4 minutes — tutor to update yearly.
Sculpting in Time — Tarkovsky
On time in cinema. Short films are especially about time.
- Shorts that are feature-openings in disguise.
- Dialogue on the first page instead of an image.
- Endings that explain — trust the audience to feel it.
This is the final script rehearsal before Assessment 1 goes into production. The draft you leave with is the one you shoot.
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- TodoCurate this year's short-film shortlist.
- TodoInvite an external writer for the pitch panel.