Screenwriting · Intermediate · Brief
Scene Craft — Conflict, Subtext & Turning Points
How a scene works: who wants what, what stops them, what changes. Subtext, entrances and exits, and the turning point that earns the cut.
Pre-production Pack
Deliver the full pre-production package for your summative short — the documents that make Week 12 shootable.
Week 11
- Script
- Storyboard
- Shot list
- Risk assessment v1
- 3–4 minute target runtime
- Realistic for available kit and locations
- LO1 — Write a scene with a clear objective, obstacle and turn.
- LO2 — Cut a scene by 30% and make it stronger.
- LO3 — Read your own dialogue aloud without flinching.
- Enter late, leave early
- Objective / obstacle / turn on every scene
- Dialogue as action, subtext as engine
- Cutting the first and last lines
- Table reads and rewrites
- Screenwriting foundation completed.
- Laptop with Fountain / Highland / Final Draft
- Printed scene from your Assessment 1 script
- 01
Objective in one sentence
Write what your protagonist wants in this scene, and what stops them, on an index card. Pin it above the page.
- 02
Enter late, leave early
Delete the first and last three lines of the scene. Read it again. What broke, what improved?
- 03
Subtext pass
Rewrite one exchange so nobody says what they mean. The audience must still understand.
- 04
Table read
In threes, read the scene aloud. Note every line the actor stumbles on — that's a rewrite flag.
- 05
30% cut
Reduce the scene by 30% without losing information. Announce the final word count.
- TodoPair with a scene from a film in the student's genre — tutor to suggest three.
On Directing Film — David Mamet
The chapter on scenes as questions and answers.
- Characters explaining the plot to each other.
- Every scene ending with the answer to the question it asked.
- Dialogue you can't say out loud.
The scenes you rewrite here go straight into your Assessment 1 script. Save every version — tutors read revision history.
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- TodoProvide three scene-samples in the student's chosen genre.
- TodoBook two upper-year actors for the table read slot.