Cinematography · Intermediate · Brief
Lighting — Key Setups, Mood & Tone
Key, fill and back. Natural light versus artificial. Building mood and tone with contrast, colour and direction.
One Light, One Subject
Reveal a person's interior life using a single practical source. The light is the second character.
Week 4
- 3-shot sequence (under 60s)
- Lighting diagram
- 100-word reflection
- No additional fixtures
- Locked tripod
- Diegetic sound only
- LO1 — Explain hard vs soft, key/fill/back, and colour temperature.
- LO2 — Build a three-point setup that expresses a specific mood.
- LO3 — Justify lighting choices against a script and reference image.
- Key, fill and back — what each is doing and what happens when you remove one
- Ratios (2:1, 4:1, 8:1) and where high vs low contrast belongs
- Motivating a source: window, practical, off-screen
- Colour temperature and gels — warming, cooling, gel-to-white-balance
- Metering to the face, not the background
- Camera framing & movement completed.
- Aputure LS 600d Pro (key)
- Astera Titan tubes ×2 (accent)
- Bounce, flag, diffusion frame
- Colour meter or LED colour picker on phone
- 600d fixtures run hot — use gloves on barn doors.
- All stands sandbagged. High rigs require a spotter.
- No modifier changes on a hot lamp — turn off, wait, adjust.
- 01
Reference in
Bring one still frame from a film that matches your target mood. Name the source, the ratio and the colour temperature you see.
- 02
Key alone
Light the subject with key only. Meter the face, expose correctly, record 10 seconds. Ugly by design — this is your baseline.
- 03
Add fill
Bounce fill onto the shadow side. Meter both sides and record the ratio you land on.
- 04
Add back / accent
Add a rim or a coloured accent behind the subject. Motivate it (practical, window, streetlight).
- 05
Push the mood
Regel to warm or cool by 500K, adjust ratio, and reshoot the same frame. Cut A/B alongside your reference.
In the Mood for Love (Wong Kar-wai, 2000)
Doyle and Lee Ping-bing on hallway light — high ratio, single motivated source, colour as feeling.
- TodoAdd a Deakins Team Deakins podcast episode timestamp on ratios.
Team Deakins Podcast
Any episode on motivating light. Listen once before the workshop.
- Flat lighting because you're afraid of shadows — shadow is the point.
- Mixed colour temperatures with no intent — the audience reads it as an error.
- Over-lit background stealing attention from the face.
Your Assessment 1 short must show a considered lighting choice. Keep your A/B stills and ratio notes for the portfolio.
Fill these in below. Notes save automatically to this browser.
- TodoAdd a ratio cheat card printable (2:1 through 8:1 with sample faces).
- TodoProvide a curated Frame.io of past cohort lighting tests.